I didn't want to document or describe places or people, but rather to arouse a state of mind and invite the spectator to reflect on the fact that the circus has always generated dreams and wonder, adapting through the ages to the changes in taste and morals of society, reinventing itself each time in a balance between tradition and innovation. Today, the circus must respond to a society that is no longer anthropocentric but eco-centric. To develop the project, I followed two circuses with animals in Italy, two with holograms in Italy and Germany, and did archive research at CEDAC in Verona.