The Last Resort integrates urban and landscape scenes into a spatially or culturally different context. Since its early days, artistic collage has been often used to point out social or political grievances. My series exemplifies the interaction between nature and the space claimed by humans, thereby alluding to current challenges such as climate change or the clash of social orders. In deceptive harmony, the resulting visions present a closed, possibly existing world and leave the question of anticipated future or presence unanswered.
Andreas Kremer studied computer science and achieved success as an entrepreneur before fully dedicating himself to the arts. His technical expertise lends his work remarkable precision and a conceptual approach. Since 2016 Kremers works have won several international awards and have been featured and exhibited in online magazines, portals and galleries. Since 2020 he is using the collage technique in a modern, digital form in his series “The Last Resort”, as well as in his current project "Art de Fact".