In this project the squares, the architectures, the mannequins, the colors are combined in new and original ways, and only in this context must be read. The mannequins take shape and space and their presence conforms to an almost esoteric if not dreamlike environment and always in juxtaposition with the architecture that is the background rather than in antithesis with other often human and sometimes famous figures. Color becomes the ineluctable amalgamation between the various components in a succession of layering of pictures and squares, regulated by the search for a suspended balance.