These images arise from fear, nostalgia and uncertainty, from the quarantine, in my case alone, starting from archive images and, in other cases, asking my friends and parents to self-portrait, converting these digital images into 35 mm negatives, to be projected on a canvas, as if they were a film about a portable screen. It causes the sensation that what we are experiencing is not real, that it is like a movie, a fiction, using the city as a backdrop. Is an inversion of narrative roles, the images projected are a representation of reality, while this suspended city behind is now a fiction.