A dialogue between two moments in time materialises within a single space, merging temporal fragments that, under normal conditions, would never have met. The technique used allows this impossible coexistence through a process of cyanotype emulsion on a negative. Instead of revealing the image traditionally, the procedure creates a visual assemblage in which the layers overlap without ever reaching a definitive positive. Even when the tones are inverted, one of the images remains negative, as if two parallel realities hint at each other through the flash of light from a different time.