In Clothed in Widow’s Weeds, I explore the layered emotions and memories that envelop the experience of loss. Through my imagery, I seek to give form to the silent mourning and the resilience found within the depths of sorrow. The title references traditional mourning attire, symbolizing both society’s expectations and personal rituals of grief. My work captures moments of vulnerability and transcendence—delicate textures, somber tones, and symbolic elements that evoke the presence of my husband even in his absence. These images serve as both a tribute and a confrontation with mortality.
I view myself as an alchemist, using alternative process, antique photographic methods, toy camera and digital tools to delve into fundamental human conditions and issues. My work is literary and emotional, full of symbolism and multiple layers of meaning with a style that marries photography with evocative and fragmented imagery. Currently, I am exploring several antiquarian processes including lumen printing and photo-encaustic. My work (exhibited since 1990) first received notice during the era of early experimentations with digital imaging and has appeared in numerous publications.