This project, staged as 1990s family photographs and shot on 35mm film, explores a paradox: memory is blurred and unstable, yet photography fixes everything with sharp clarity. Within this tension, I created a family album that never existed. The images look ordinary, but cracks appear, two children in one frame, a missing father in another. Motion blur and double exposure disrupt clarity, exposing memory’s fragility against the camera’s precision. These shifts reveal what the mind keeps and what it lets go, asking whether we trust the photograph or the act of remembering.