"Chairs of Zamalek" explores the symbolism embedded within the communal chairs that line the sidewalks of Cairo's Zamalek district. These empty, yet inherently welcoming chairs take center stage in a meditation on cultural alienation, the transient nature of humanity, and the experience of visitor-hood. Their stillness speaks to solitude—not just as separation from culture, but also as a form of observation and quiet inclusion within it. This tension becomes an analogy for cultural displacement, offering comfort in the continuity of communal history.