When I take photos, my main effort is to catch my feelings, or my mental landscape in the building or object that I'm looking at, while also looking for the best shot I can take, looking for a corner or detail from the building I like and tweaking it until I find it interesting enough. In this work, I looked for lines, be it horizontal, vertical or tilted, as well as intersections between those lines, being real lines or objects that proposed lines, as a way to convey the message of doubt, of not knowing which path to take, making the spectator look through the photo following those lines.