Within an homologated mass of people holding a line that slowly flows, suddenly some of them turn around, staring at the observer with defiant looks, like sparks of daring awareness. This is an excerpt of a series of portraits, characterized by very close-ups, frontal poses alternating with profiles, radical and violent cuts, in which the figure dominates the space that is obviously uncomfortable for the subject, is a criticism of mass homologation, which often requires individuals to conform to a single dominant thought, or face the the cost of social exclusion.