These photographs form a mid-century themed triptych from a series entitled Paper on Paper. The deep tonality of folded paper versus the flat surface associated with photographic paper is meant to confound and simultaneously preserve the integrity of the picture plane. It’s a visual pun to shine light on unconscious assumptions. My work coaxes viewers to abandon conditioned frames of reference and mental labels. When we apprehend visual elements unencumbered by a cataloguing mind, we appreciate that every visual moment has a structure and beauty that calls out to be experienced fresh.